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Panorama de la escultura contemporÃ¡nea argentina y uruguaya.Se han roto los esquemas clÃ¡sicos para dar rienda suelta a la imaginaciÃ³n, pero sin perder en ningÃºn momento el alto contenido estÃ©tico y expresivo.La utilizaciÃ³n de materiales diversos, tÃ©cnicas antiquÃsimas entrelazadas con las Ãºltimas tecnologÃas han permitido que las nuevas generaciones de artistas puedan expresarse libremente en la escultura que hacen. No existe, por suerte, respeto alguno en cuanto al tratamiento de la obra, todo se basa en cÃ³mo emplear los conocimientos sin que Ã©stos parezcan una mera receta estructurada que se vea reflejada en el trabajo, sino todo lo contrario, por lo que podemos disfrutar de esa libertad que no es ni mÃ¡s ni menos que el manejo talentoso del don creativo sumado a los conocimientos.

Oscar Umpierrez Oscar UmpierrezArtista PlÃ¡sticoURUGUAYONace en Montevideo, Uruguay en 1965. De carÃ¡cter inquieto ha incursionado por innumerables caminos en la bÃºsqueda de una identidad. Escultor, estudiÃ³ ademÃ¡s Dibujo y Pintura, FotografÃa y Video.Egresado de la Escuela Nacional de Bellas Artes, Montevideo, Uruguay en 2002.PREMIO MOROSOLI ESCULTURA 20072006 -DiseÃ±o y realizaciÃ³n colectiva, evento Falla Valenciana, desarrollado por Escuela Nacional de Bellas bajo la iniciativa de la Comunidad Valenciana en Uruguay. 6 de Mayo en Centro Gallego, Montevideo. 2005 -RealizaciÃ³n y exhibiciÃ³n de escultura seleccionada para emplazamiento pÃºblico con motivo de la celebraciÃ³n de la DeclaraciÃ³n de los Derechos del NiÃ±o, Nov 2005. Convenio Escuela Nacional de Bellas Artes e Intendencia Municipal de Montevideo, Peatonal SarandÃ.(AÃºn en exposiciÃ³n)2004-PresentaciÃ³n e instalaciÃ³n de escultura en exposiciÃ³n permanente en Facultad de Ciencias2003-ExposiciÃ³n permanente de escultura en hall central de Liceo del Cerro 2002-ExposiciÃ³n presentaciÃ³n egreso de Escuela Nacional de Bellas Artes.2001 -Emplazamiento de dos esculturas para exposiciÃ³n permanente en Facultad de Ciencias.ExposiciÃ³n colectiva "20 artistas en el siglo XXI" , Atrio de la Intendencia Municipal de Montevideo.ExposiciÃ³n colectiva Escuela Nacional de Bellas Artes (alumnos taller Lebrato).*Born in Montevideo, Uruguay in 1965. Of anxious character, he has taken many paths in search of an identity.Graduate from The National School of Art, Montevideo Uruguay, 2002. He studied Graphic Arts Drawing and Drawing and Painting at the Municipal House of the Culture. He also experienced with Photography, Video and participated Serigraphy classes and workshops. MOROSOLI AWARD -SCULTURE 20072006 Design and collective accomplishment, Falla Valenciana event, organized by The National School of art under the initiative of the Valencian Community in Uruguay. 6 of May at the Gallego Center, Montevideo. 2005 Development and exhibition of a sculpture selected for public showing in celebration of the Declaration of children?s Rights, Nov. Agreement between The National School of Art and the City of Montevideo, Sarand? Walk Street. (Still in exhibition) 2004 Presentation and installation of sculpture in permanent exhibition at the School of Science. 2003 permanent Exhibition of sculpture in central hall of the Cerro High School. 2002 Exhibition presentation to graduate from The National School of Art. 2001 Placement of two sculptures for permanent exhibition at the School of Science. Collective exhibition ?20 artists from the 21st century?, Montevideo City Hall Atrium.2000 Collective exhibition ?Lucky Art1? at the W Lounge ? Grand Opening of the cultural space. Show of previous work and execution of live sculpture.

Encrucijada
Palillo
EnÃ©sima - Nth
Un tobogan de luz
Porta retrato para ancestro
Porta retrato
No es oro todo lo que reluce
No es oro....
Como puertita en piedra
Como puertita...
Como puertita

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Marcial Patrone Marcial PatroneArtista PlÃ¡sticoURUGUAYO Nace en Montevideo, Uruguay en 1968.Egresado de la Escuela Nacional de Bellas Artes (Montevideo, Uruguay) en el aÃ±o 2002, TambiÃ©n estudiÃ³ MetalÃstica en el taller de Ruben Zina FernÃ¡ndez y DiseÃ±o GrÃ¡fico.2008 (Marzo/Abril) ExposiciÃ³n "La mÃ¡quina de la mitad" Instituto Goethe2007 (Agosto) ExposicÃ³n "Feria" Cabildo de Montevideo -Uruguay2006 DiseÃ±o Tapa Revista Hermes Criollo Nro 9 (Revista de CrÃtica Literaria y Cultural)2005 DiseÃ±o Tapa Revista Hermes Criollo Nro 10(Revista de CrÃtica Literaria y Cultural)2002 ExposiciÃ³n Sala Cinemateca Lorenzo Carnelli. (junto a Oscar Umpierrez), Montevideo - Uruguay.2000 ExposiciÃ³n "S.O.S. Cabo Polonio", Centro Cultural Recoleta, Buenos Aires, Argentina.1998 Expone en Cinemateca Pocitos, Montevideo y en el Centro Cultural Florencio SÃ¡nchez (junto a Cecilia Silva).1994 Primer premio Video Experimental, Concurso Cinemateca Uruguaya. *Born in Montevideo, Uruguay in 1968.Graduated from the National School of Arts (Montevideo, Uruguay) in 2002.He also took metalistic studies at the Ruben Zina FernÃ¡ndez workshop as well as graphic design.2008 (March-April) Exhibition at Goethe Institute "La mÃ¡quina de la mitad" -Mdeo,Uruguay2007 (August) Exhibition at Cabildo of Montevideo "FERIA" -Uruguay2006 Cover design Hermes Criollo Magazine No. 9 (Literary and Cultural critique magazine).2005 Cover design Hermes Criollo Magazine No. 10 (Literary and Cultural critique magazine).2002 Exhibition at Sala Cinemateca Lorenzo Carnelli. (With Oscar Umpierrez), Montevideo - Uruguay.2000 Exhibition "S.O.S. Cabo Polonio". Recoleta Cultural Center, Buenos Aires, Argentina.1998 Exhibit at Cinemateca Pocitos, Montevideo and at the Florencio SÃ¡nchez Cultural Center (With Cecilia Silva).1994 First prize Experimental Video, Cinemateca Uruguaya competition.

Sin-titulo-II
Sin-titulo-III
Pajaro
Puerta
Don Guillermo
Sin titulo
Hombre buzo
Rana
Rana
Figura
Figura
Figura
Sin tituloI
Sin titulo I
Sin titulo I

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Virginia Umpierrez Virginia UmpierrezEscultora - CeramistaURUGUAYA Nace en Montevideo en 1978. Cursa sus estudios regulares y desde temprana edad expresa la necesidad de conectarse con los demÃ¡s a travÃ©s de diferentes manifestaciones artÃsticas, desde la cerÃ¡mica hasta la danza.Desde los 15 aÃ±os asistiÃ³ a cursos de cerÃ¡mica y alfererÃa en la Casa de la Cultura (IMM), asÃ como tambiÃ©n dibujo y pintura con el pintor y docente Juan Mastromateo, de donde surge su interÃ©s por las artes plÃ¡sticas, y en especial el volumen.Se formÃ³ como escultora en la escuela Pedro Figari egresando en 1998.Paralelamente estudia en la Escuela Nacional de Bellas Artes, asistiendo a los Talleres Fundamentales de los profesores Javier Alonso y Silvestre Peciar.Realiza sus investigaciones principalmente en el Ã¡rea de la cerÃ¡mica y artes del fuego, asÃ como en el Ã¡rea de volumen en el espacio.TambiÃ©n realiza diversos cursos relacionados con esta disciplina como Historia del Arte, seminarios de tÃ©cnica rakÃº, participando ademÃ¡s en grupos de investigaciÃ³n y desarrollo en las Artes de Fuego.Dentro de este camino de investigaciones y descubrimientos participa de actividades de extensiÃ³n universitaria, tales como intervenciones urbanas, viajes a la Bienal de San Pablo, diseÃ±os para ventas populares de la INBA.En 2005 expone en El Museo del Azulejo "Cultivo de seres en la almohada" dentro del ciclo de Exposiciones de Ceramistas y Escultores en CerÃ¡mica.Actualmente ademÃ¡s de su actividad universitaria, sigue creando en su propio taller.*She was born in Montevideo in 1978. She attended to her studies regularly, and from an early age she expressed the necessity to connect with others through different artistic manifestations, from ceramics to dance.From the age of 15 she took ceramics and pottery courses at the House of the Culture (IMM), as well as drawing and painting with professor and painter in his own right Juan Mastromateo, from where her interest in the plastic arts arises, specially the volume.She was formed as a sculptor at the Pedro Figari School graduating in 1998. The same time, she attended the National School of Arts, taking the required fundamental classes with professors Javier Alonso and Silvestre Peciar. She did her main research in the areas of the ceramics and fire arts, as well as, in the area of volume in space. She also took related courses like Art History and rak? techniques, as well as, doing research and development in Fire Arts. Within this path of research and development she participates in university extension activities, such as urban interventions, trips to the Biennial in Sao Paolo, popular designs for the annual sale at the INBA. In 2005 she has a show at the Azulejo Museum ?Cultivo de seres en la almohada? as part of a cycle of Exhibitions of Ceramists and Ceramic sculptors. Presently, in addition to her university activities, she continues creating at her own workshop, giving form to a way to thinking and doing.

Pez
Caballo
Caballo detalle
Beso
Beso detalle
Pie
PreÃ±ez
PreÃ±ez
Redondez
PÃ¡jaro
Tortuga
Pez detalle
Aire

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Rip Tamara Rip Tamara Artista PlÃ¡sticaARGENTINA Nace en Argentina en marzo de 1977.Cursa DiseÃ±o grÃ¡fico y hace sus pasos en el Inst. Nac. De Bellas Artes Prilidiano PueyrredÃ³n (Buenos Aires, Argentina). De carÃ¡cter inquieto, incursiona por la restauraciÃ³n de pintura, estudiando con Orest Pasika, ex-profesor de la Academia de Arte de Kiev, Ucrania.Combina en forma permanente sus dos pasiones, el dibujo y la escultura, trabajando en ambos campos con nuevas propuestas. 2005-2006 Seleccionada en el concurso Curriculum 0 de la galerÃa Ruth Benzacar; las obras estuvieron presentadas desde diciembre a enero.RealizaciÃ³n de rÃ©plicas de caballos de calesita antiguos en resina poliÃ©ster traslucida para la obra "Floricienta" en el Teatro Gran Rex; utilerÃa y decoraciones varias para el teatro y el programa de televisiÃ³n.2004-2005 Ambientaciones, decoraciones y realizaciones para eventos de Absolut Vodka, CÃrculo de Creativos y publicidades para Argentina y el exterior.RealizaciÃ³n de muÃ±ecos-surtidores Winnie the Pooh de caramelos y chocolates Smarties y expositores en forma de vaca en tamaÃ±o real para chocolates Milka.2002-2004Ayudante de la artista Malena Trosolino, profesora de del Inst. Nac. De Bellas Artes, en su taller de escultura y pintura.*Born in Argentina in March of 1977.Studies graphic design at the Instituto Nacional de Bellas Artes Prilidiano PueyrredÃ³n (Buenos Aires, Argentina).Of a restless nature, she dabbles in painting restauration, studying with Orest Pasika, former professor at the Kiev Art Academy, Ukraine.She continuously combines her two passions, drawing and sculpture, working on both fields with new ideas.2005-2006 Selected in the "Curriculum 0" competition of the Ruth Benzacar Gallery; the works were shown from december to january.Reproduction of vintage mary-go-round horses in translucent polyester resins for the "Floricienta" show at the Gran Rex Theater; various props and decorations for both the theater and the TV show.2004-2005 Set productions for Absolut Vodka events.2002-2004 Assistant to Malena Trosolino, professor at the Instituto Nacional de Bellas Artes, at her sculpture and painting workshop.

Psicosexual
Psicosexual
Narigon de mar
Pulpo I
Vampiro
Nabo
Gato canasta
Ardilla voladora
Buho
Articulo I
Psicosexual -detalle

Organic City, Pt. III: Recycled Art at the CC Recoletaby Kathryn MatlackRip Tamara didnt set out to create the furry, gleeful, six-limbed zombie monster installed at the CC Recoleta; as she explains it, the creature just sort of happened. Last Sunday Rip and I sat down on the lawn across from Feria Hippy in a patch of afternoon sun to talk about her installation, R.I.P. Rip, Hurra! which has quickly become a crowd favorite.By day, Rip (Tamara is her first name, Rip Tamara her artistic name) is a professional set designer. She knows carpentry and metalworking, and knows how to work with everything from tube socks to automotive paints. She studied at the Buenos Aires School of Fine Arts. But more noteworthy was her debut into the world of building cool stuff: one of her first jobs was to recreate scenes from the Bible at Tierra Santa, the infamous Jesus themed park on the Costanera Sur where resurrection happens every hour, on the hour. Rip, who has shaggy blonde hair, rows of delicate silver rings in each ear, and a dimple when she smiles, tells me with a grin if I go to Tierra Santa to look for her in the crowd: two of the kids in the scenes she designed there have her face. We used polyster resin to make the figures, she recalls. Great to work with, but its super toxic.Also a talented illustrator, prior to this installationher firstRip often drew animals: hip animals, like martini-drinking pigs, pool playing armadillos, and wine-guzzling satyrs in colorful and fantastic scenes. Sometimes an animal, or even a particular animal, is able to better express a feeling or capture a particular emotion, she explains. Later, when I ask Rip to comment about typical habits of consumption in the city, she agrees that many in Buenos Aires are careless. Maybe thats why I care about the animals she muses. Man is doing this to himself, but theres no one to protect the animals.In her work as a set designer for movies and commercials Rip found she always faced the same conundrum: what to do with the leftovers? As a set designer, you work very hard to create a perfect scene, she explains. But when youre creating the scene you use great materials, and you always have some extra. The scene is shot, maybe using your set for just a few seconds, and then youre left with beautiful materials that you hate to just throw away.Go back a few months prior: Rips grandparents are getting ready to toss a beautiful but very old blanket made of llama fur. Rip steps in, thinking there has to be a better future for the soft pelts. A few conversations with friends later, and Rip is the recipient of dozens of fur coats emerging after years in closets or refrigerated fur-storage lockers. Rip tells me fur was big in the 80s in Argentina: it was a time when a man who loved his wife and could afford to would show it by buying her a fur coat.Times have changed, says Rip. No one wears fur anymore. Its out of style. But women still have these great memories of their coats, even if public perception of fur has changed.Rips project, playfully and symbolically giving new life to animals whose furs were taken from them, was enticing enough to coax many women to give up their furry heirlooms. At the center of her microespacio stands what Rip titled the redemptive zombie of stolen furs: a light-brown bearish creature with antlers, and skinny, striped arms. The zombie is frozen, dancing open-mouthed on a grave; he is joined by a flock of two-dimensional furry spirit figures that fly upwards, growing bigger the higher they get. An animal made from the skin of another animal? reads the placard on the wall. Itd be better if youd get rid of them [the furs]. Its coming to get them.R.I.P. Rip, Hurra! conveys a spirit of mischief and of jubilation; the project combines Rips talent for imagining and creating endearing creatures with her craftswomans ability to bring them to lifelike life. The result? A magical scene that amuses us, while using an imaginary tale to playfully comment on our habits of everyday life.If you go to the Centro Cultural, its worth checking out several other exhibitions running through April 30 that also explore reusing and reimagining materials.For example, the work of Cho Yong Hwa, an artist of Korean descent who came to Argentina at the age of 14, fills one entire room. Using an ancient Korean kitemaking technique, Cho used pencil and splashes of white, blue and orange paint to transform the front pages of four major Argentine newspapers into scores kites painted with the anthropomorphized sun from the Argentine flag. Anyone who can read in Spanish knows that each newspaper here aggressively champions a certain ideology; Cho leverages this knowledge, and her experience in her homeland, officially divided in spite of a shared language and cultural heritage, to question whether ideologies must separate a nation or whether they can be brought together to create a diverse but unified whole. Reviewer comments posted around the room at the center compare the flag kites to Argentinas soaring hopes and dreams; another guest comment asks, El Arte de Cho. La Unidad de los Argentinos?CC Recoleta - JunÃn 1930, Monday thru Friday 2pm to 9, Sat & Sun 10am to 9pm

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la escultura

Oscar Umpierrez

Marcial Patrone

Virginia Umpierrez

Rip Tamara

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